Yura Yura Teikoku No Shibire Rar
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ゆらゆら帝国* Yura Yura Teikoku “ゆらゆら帝国 Yura Yura Teikoku” 1992 Japan Psych Rock Experimental debut album
https://vk.com/wall312142499_7632Yura Yura Teikoku first formed in 1989 as a four-piece, led by guitarist/ vocalist Shintaro Sakamoto, a graduate in design from Tama Art University . The group played out frequently at Koenji’s celebrated if tiny UFO Club, for which Sakamoto designed the interior. Their first recording appeared on Tokyo Flashback, a compilation put together by Tokyo’s PSF Records, home to a wealth of top flight psychedelia including Keiji Haino, Ghost, High Rise, White Heaven, and Acid Mothers Temple. Yura Yura Teikoku’s first full albums were of prog-ish psychedelic music on their own Jigoku (Hell) label. They later moved to the slightly larger independent label Captain Trip, where they released a live album in 1995 titled simply Live, and in 1996 Are You Ra?. Compared to other bands with psychedelic leanings, Yura Yura Teikoku has a distinct pop flavor to their sound, but of a quite odd variety that frequently had them compared to the 13th Floor Elevators. After a number of member changes, present bassist Chiyo Kamekawa joined the band in 1990. In 1992 the band became a trio when the second guitarist dropped out. The current, and perhaps “classic”, line-up of the band jelled in 1997 when Ichiro Shibata joined as drummer - the umpteenth to hold the position. In 1998 the group released 3 x 3 x 3, their first album on the major minor label MIDI. The album was very well received critically, and posted comparatively strong sales. For some fans it remains their most popular recording. Albums since include Shibire, Memai, Taiyou No Shiroi Kona, and Zukku Ni Rock, all four of which include guest appearances by Michio Kurihara of internationally celebrated Japanese psychedelic band Ghost. These albums were picked up for distribution in the United States by the Brooklyn based Mesh-Key Records, and in recent times the group has been receiving attention in the international media. In November 2003 they released Na Ma Shi Be Na Ma Me Ma, which they retailed for the bargain price of 1,000 yen - less than half the normal price of Japanese CDs. They also have a Double disc retrospective called 1998-2004. Yura Yura Teikoku continue to be a popular live band, and these days are able to fill considerably larger venues than in their early years. They played Fuji Rock’s main stages in 2000, 2001, and 2004, and often sell out shows that they headline. However they do not seem to be overly money minded; their shows in April 2005 at Tokyo’s Hibiya Yagai Onagkudo and at Osaka’s Hattori Ryokuchi Yagai Ongakudo were free to the public. In May 2005 the band plan to release a new album Sweet Spot….
Had a chance to visit UFO Club, met the Chuan Chuan Chiyuan and Ishihara, respectively, Yura Yura Teikoku bassist and producer, suddenly feel their own into the Japanese psychedelic more than ten years of the tunnel has come to an end, in front of a white hot, I see Clearly. In addition to shame to the plaintiff confession of their own life is the White Heaven, the courage to mention to the 亀 Sichuan: “2006 Yura Yura Teikoku to Taiwan’s big harbor singing, I slipped to the background to obtain a signature, because the broker refused, only 'You have been able to sign it now?” He replied: “Oh! High … … high-hell right? Of course, the right time, 'He is mankind,” he is mania !!! “signed in the” ゆ ら ゆ ら empire “next to write” for Ken “everything is complete.
Yura Yura Teikoku’s music is more hiccupy, more garage, lead singer and guitarist Sakamoto Kentaro The Afro, such as Jimi Hendrix’s curls, reveals that the music is not clear, And the relationship between the East and the West, the integration of the East and West. Taiwan fans have the opportunity to contact, may rely on Studio Voice two thousand years in July that 'Narcotic Psychedelic”, if again with the same year in March “Addicted To Noise”, is really good for the introduction of Japanese music.In 1992 and 1994, there were two first releases of ZIKS Product and Touch Label, commonly known as the “ゆ ら ゆ ら Empire I” and the “ゆ ら ゆ ら Empire II”, which could be traced back to three volumes of vague autonomous bands, Before the underground period. Yura Yura Teikoku diffuse a smell of sticky smell of smell, a pair of muddy dying-like, more inherited to Tonpei & Bishop and Kakashi who, the temptation of sour pungent in the somewhere shaped Sakamoto For the unknown, spirits, adventure, or that Edogawa leisurely preference. Most of the songs in the “ゆ ら ゆ ら Empire I & II” have a re-record - the characteristics of the sound, representative of the song than the “space” and the “wall の な い house”, if from the “1st, 2nd, 3rd Tape” Choose the beasts, but also not miss the “night の lovers up to”, <funeral type and <炎 っ て す て き> and so much - even if the future “sun の white い powder” and then sing <heart は half points> even “ミ ー の カ ー'And then sing” the sun の う そ つ ki “, that texture has been unable to system, not only Zhaoxuan Yifu Jacks” Vacant World “reincarnation!
The creation of a sufficient resource to the refined, complex is an irresistible drive and desire, if from Sony, Midi period back to push back, do not think the band over the tendency of business. Non-mainstream or mainstream for the ridiculous system, the focus is still in the original how much, whether to try to establish a different space, the words 'ゆ ら ゆ ら Empire I & II” in the degree of completion and no less than “3x3x3” or “empty” Can say that the smell of small people may not meet the public’s appetite, Sakamoto’s taste is also elusive.
In 1995, Captain Trip’s “LIVE” sound was poor, but the adhesion between the audience and the stage, a kind of unspeakable beauty, do not deny the reason why the Japanese underground in the 1990s was fascinating. In the smoke and silver retreat, from Sakamoto self-singing, slowly out of the Acid Folk particularly moving, but soon after the official recording, to two thousand years, “Yu ゆ ゆ ら empire で test え” only to find Kurihara Doffer cooperation. Sakamoto’s voice and Kurihara’s guitar embraced each other, and each other hit, the reverberation was in the air, and the time was dissipated, and the whole song was even more powerful, like the “Crazy Moon” <Downhill> for the seven or eight years Neil Young guest Crazy Horse - Ancient and modern text, listen to all inexplicable nostalgia.
In the same year under the same banner under the banner “Are You Ra?” In 1996 Captain Trip Periodical Homepage Illusion First Look. Obey leading <guy theme> arrival <wants to be> 鏗鏘, obey <grapefruit charged> arrival <lie of Africa> undulating Yes valorous, song 銜接 specific Myoho, straight 挾帶 1960s Beat manner straight white, spirited 如 The Seeds , Sheng Rui exclusive contour. Early obedience <Family> Debrising out Sakamoto Dancerous cheers, Reflecting on the degree Neil Young influence, but ignorant acidic crop quality, hard worker ’s joiner preferred. During self-talking in transit Sentinel “Takeo Tumori” Are You Ra? “, Imaginative voice all the injured bags.” Natsu confidence 未 未 来 很 Clear, three-piece aesthetic name, 已然 forming.
1998 standing Midi hear 發行 manner “3x3x3” Yorozukoto armor, doors open <I want you to know> 簡直 “plain one 聲雷”, free song swept 如 <emitter> Dedo appeared, 慢歌 lyrical 如 <Yurayuraugoku> 撩撥 heart strings, Sakamoto Talented, under absentia. Aichi’s theme Origin “Are You Ra?” Original <Hess theme> ___ ___ 0 The same song, background penetration, incremental ___ ___ 0 Ninja <You’re Gonna Miss Me>咕嚕 “Voice. Theme Songs <3x3x3> for Sakamoto Kuchishiro specific Ransho, inorganic specific anti-饋, non-flame Lenovo Himoyaku spearhead Suicide, 〇 five years other 們在 'Fine Time 2: A Tribute To New Wave” Inuimoro Koboshi玩 <Frankie Teardrop> 致敬 Alan Vega sum Martin Rev second place, reformed sentence-corrective verb, fleet self “Kishi”.壓軸 莫過 <Evil Car> improvisation three items typical Perfect 對話, 吐絲 Yuimayu basis blare Ichimyaku Uketamawakasane Les Rallizes Dénudés specific Fukotsu, Shibata Tychicus specific sticking sum Kamegawa basis shellfish 斯的 穩固 sufficient supply 予坂 basically Gil other one side arbitrariness 揮灑Eriya Kyows This Is Nowhere “To <Cowgirl In The Sand> For the Sixty Years Neil Young Border Crazy Horse - - Dragon ’ The first, the understanding of pleasure hardships.
Ninety - nine same ban issued 'Me ’s car” Equestrian possession new meaning, texture refreshing romance Mikuni West Bank stereotype. Following followers “Yurayura Empire I & II” each capturing separately <Solar Liar> Wao <Human quitting time>, but Eclectic Ming Ryo Arrangement Ueno Phase Ratio, Anti-False Positivity. Song standing quite above manner Hateke’ sum apex 銳幾 乎成 for a kind Azukaki Arushirubeshi, 嘶嘶 boiled <3 am of fuzz guitar> 如開 rice manner Jimi, theme song <Me Car> same 以長 Hen Tsugetsui, taken sacked specific format, repetition manner Phrase type, absurdity <Evil Car> passionate, lingering comedy band comedy multiple ideas.
Year with the issue of its “ゆ ら ゆ ら Empire III” almost abandoned the noise, given the soft face. Such as “You 霊 の marriage type” and “juvenile dream の の の” blowing tropical style or <head of carbon acid> recruited angel, melody are pleasant, there is no lack of Sakamoto, Ishihara for Peter Ivers preferences. Please stay <sand の お city> simple and pale, so the sketch has been a lot of tension for the song order. In the low frequency of the waves, the rhythm is clear, waiting for the move, compared to “Soundtracks” <Mother Sky> almost diverted the Can moves! On the day of sale, the live version of the Liquid Room is more agile, included in the mini album “ラ メ ー ン ロ ロ ン etc”, the performance to find Kurihara support, in the improvised phrase roar, trance will be extended to “4x4x4x4”.
Three years with the issue of “men and women” twin. Male “ゆ ら ゆ ら empire の し び れ” in the <time> and <invasion> to maintain the usual alienation, <injury ら ら け の ギ タ ー> awkward mix of traditional tune, “nocturnal の の health ki objects 3” play noise in the palm, <through> further The possibility of mining the sound, the auditory sense of “big beads beads drop jade plate” naturally wonderful words, “mechanical に よ る イ ジ メ” and <no い> rational prediction “Sweet Spot” future. Female ugly ゆ ら empire の め ma い “in the emotional a lot of sensibility, regardless of <ド ア> or <star に na れ ta> Sakamoto singing are melancholy and high, <ボ タ ン が つ> recruited children as lead singer, a touch of strange sense of oil However, students, regardless of the opportunity, when talking about Sakamoto in recent years solo, more and more ─ ─ the band’s growth and direction, trying to open the distance between the top three.
Yura Yura Teikoku No Shibire Rare
'Sweet Spot”, which was released by Sony, was conceived by Silver Apples, Fifty Foot Hose or Krautrock, and it was found that the flight was transmitted via electronic sound. The new test of the drums, the dramatic performances of the “ロ ボ ッ ト で し ta” and the “Tate”, such as the choking and crying of the octopus from the sea, the Bosa Nova of the “ス ィ ー ト ス ッ ト” Is the only compassion, the rest is not stimulating eardrum can not. For the imagination of the sound, the band once more than once bold, obviously feel the self-destruction of the new, at the border kept on the line, keep approaching, the loss of the signal of the universe to lead us to continue to explore the unknown.The band did not continue the “Sweet Spot” experimental, leading the single “つ ぎ の night へ” and “US し い” has been seen clues, it is loose and immersed in the “つ ぎ の night へ 'for the selfishness of the final climax. The head and tail lingering <お は よ う ま だ や ろ う> and <empty で desu> saxophone aphrodisiac, has ingenuity 'で き な い” and “あ え て resistance し な い” lay out the flashback, “school へ trip っ て き ま す” The Compared to the previous practice, this first in the studio forming, sound modification smooth, most of the songs such as “ひ と り え っ ち の artificial satellite” is not difficult to speculate Sakamoto became a bedroom musician. As a follower, it is more like to say goodbye to the farewell - three decided to get off, that the task has been done, then go on, but repeat.
Band career publishing, private CD to introduce the main, for the version of the difference is not more ink, still worth the effort to explore. During the period of a large number of singles on the back, mini album, live recording, especially seven inches, ten inches or twelve inches LP, light from the cover design and song arrangement of different, it is easy to see Sakamoto for the old school insist. He is a discwriter, music pass, also considered an illustrator, published the album “Shintaro Sakamoto Artworks 1994-2006”, for Los Apson ?, Zhen house and other albums like signs, and even UFO Club anniversary The T-shirt, DM, Tote package are also his design, visible paternity ─ ─ look, those comic scenes, guess also on behalf of Sakamoto self-young youth portrayal, Japanese friends before reading, really met him in the central line. As for the Peace Music that chubby, certainly in the village of Ichiro, there is no discovery that he is “effect” madman.
Shintaro Sakamoto Tour
Before the dissolution, Yura Yura Teikoku once went to the United States with Yo La Tengo to tour, the international trend of early performance in the album inside and outside the English writing. Yo La Tengo came to the show many years ago, the warm field put Yura Yura Teikoku song, do not know if you have not found. After dissolution, it was speculated that two sets of “Yura Yura Teikoku Live 1997-2004 & 2005-2009” and a boxed “Remix 2005-2008” were published in order to digest the contract with Sony. The former contains precious photos, the film, a few end of the song is not included, the latter contains more than one hard to start the back of the vinyl, arranger is not the same, are worth collecting.Ten years a moment, leave the high circle, a glance, see Ishihara and 亀 Sichuan squatting outside smoking, I bowed farewell: “You are my heroes !!!” They shy smile, Tokyo is very cold, smoke is curl……
Credits
Bass – 亀川千代*
Drums – 吉田 敦*
Engineer – Kondoh*
Guitar – 橋口 優*
Bass – 亀川千代*
Drums – 吉田 敦*
Engineer – Kondoh*
Guitar – 橋口 優*
Vocals, Guitar – Shintaro Sakamoto
Guitar – Masaru Hashiguchi
Bass – Chiyo Kamekawa
Drums – Atsushi Yoshida
Guitar – Masaru Hashiguchi
Bass – Chiyo Kamekawa
Drums – Atsushi Yoshida
Tracklist
1 冥土の口 6:18
2 狂っているのは君のほう 3:20
3 虫男 5:18
4 私は点になりたい 5:12
5 太陽のうそつき 3:45
6 生き物万歳 5:39
7 お花もどき 5:45
8 なぞ宇宙 5:39
1 冥土の口 6:18
2 狂っているのは君のほう 3:20
3 虫男 5:18
4 私は点になりたい 5:12
5 太陽のうそつき 3:45
6 生き物万歳 5:39
7 お花もどき 5:45
8 なぞ宇宙 5:39
Discography
Albums
(1992) — Yura Yura Teikoku
(1995) — Live
(1998) — 3ｘ3ｘ3
(2001) — III
(2003) — Yura Yura Teikoku no Shibire
(2005) — Sweet Spot
(1999) — Zukku Ni Rock
(2010) — Dekinai
EP
(1998) — Hakkoutai / Itazurakozou
(2006) — Soft Death / It Was A Robot
Yura Yura Teikoku “Me No Car” 1999 Japan Psych Garage
Yura Yura Teitoku “Sweet Spot” 2005 Japan Psych Underground Experimental Rock
Yura Yura Teikoku “Are You Ra? 1996 Japan Psych Rock
Yura Yura Teikoku “3x3x3” 1998 Japan Psych Rock
ゆらゆら帝国 III “Yura Yura Teikoku III” 2001 Japan Psych Rock…recommended…!
Yura Yura Teikoku “Yura Yura Teikoku II” ゆらゆら帝国 – ゆらゆら帝国 1994 second album Japan Psych,Experimental
Yura Yura Teikoku “Live” 1995 + “Taiyou no Shiroi Kona” EP 1999 + “ No Shibire” 2003 + “No Memai” 2003 “Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma” 2003 + “Hollow Me” 2007 Japan Psych Rock,Experimental,Heavy Psych,Electronic,Noise Rock
http://www.mesh-key.com/yura.html
http://www.myspace.com/yurayurateikoku
Yura Yura Teikoku - 1998 - 3x3x3.rar (83.32 MB)
http://www.mediafire.com/?autnemocmou
Yura Yura Teikoku - 2001 - Yura Yura Teikoku III.rar (67.91 MB)
http://www.mediafire.com/?8tev9egdwmt
Yura Yura Teikoku - 2003 - Memai.rar (59.05 MB)
http://www.mediafire.com/?1o2co5jbmxp
Yura Yura Teikoku - 2003 - Yura Yura Teikoku No Shibire.rar (64.16 MB)
http://www.mediafire.com/?51xu0tx9jxo
Yura Yura Teikoku - 2003 - Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma.I (110 MB)
http://www.mediafire.com/?d1jobbi9cwy
http://www.mediafire.com/?dny2pqsznzm
Yura Yura Teikoku - 2006 - Sweet Spot.rar (86.8 MB)
http://www.mediafire.com/?byt0wx0my0h